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    <loc>https://marshaborden.com/projects</loc>
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    <lastmod>2025-04-19</lastmod>
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      <image:title>Projects - Red Plaid Bell Bottom Pants My Mom Made, 2019, Marsha Borden</image:title>
      <image:caption>Vintage gauze fabric, sewn by my mom on her Singer, c. 1973</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/1551487095101-EHS7OJ09TDZWLD6CRQ2E/Jelly+Nation.JPG</image:loc>
      <image:title>Projects - Jelly Nation, 2017, Marsha Borden</image:title>
      <image:caption>Largest 2’ x 5’; Smallest 3” x 14”, single-use plastic bags</image:caption>
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      <image:title>Projects</image:title>
      <image:caption>Should I? 2019, Marsha Borden Vintage Smith Corona Typewriter, Typing Paper</image:caption>
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      <image:title>Projects - Bound, 2019, Marsha Borden</image:title>
      <image:caption>4’’ x 6”, rusty metal slab, cotton fabric, string</image:caption>
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      <image:title>Projects - Radiator, 2019, Marsha Borden</image:title>
      <image:caption>photograph of chipped paint on radiator, my summer studio</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/1568305965947-AMWNZ0MIS769291UM9WD/IMG_3660crop.jpg</image:loc>
      <image:title>Projects - Trashy Mini-Skirt, 2017, Marsha Borden</image:title>
      <image:caption>24” x 27”, crocheted single-use plastic bags</image:caption>
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      <image:title>Projects - Scorched, 2018, Marsha Borden</image:title>
      <image:caption>2’ x 3’, single-use plastic bags, chicken wire</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/1602883897857-O2O2FWWNUP7F7TPURVUO/Chair+Leg+Weaving+with+T+Shirt+yarn.jpg</image:loc>
      <image:title>Projects - Striation</image:title>
      <image:caption>2018, Marsha Borden, 6” x 12”, Reclaimed T-Shirts</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/1633464278038-IFI14LE6AFKFX6HJTQ0H/This+is+My+Country.JPG</image:loc>
      <image:title>Projects - This is My Country (Heal Me), Marsha Borden, 2020</image:title>
      <image:caption>15” x 24”, Found Textiles and Felting on Muslin</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/1633464648147-XLZFCJCWCJFEL0HD1ED2/We+3.JPG</image:loc>
      <image:title>Projects - We (Cut From the Same Cloth) II</image:title>
      <image:caption>9” x 15”, Muslin and Hand Stitch</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/1616359014149-59ZAJ3H7WU6J94P92MMK/IMG_2881.JPG</image:loc>
      <image:title>Projects - Soft Opening</image:title>
      <image:caption>2019, Marsha Borden, 2.5 x 3.5, Reclaimed Textile</image:caption>
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      <image:title>Projects - Honeycomb Smock on Paper</image:title>
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      <image:caption>Field Notes, 2022 to Present, Marsha Borden</image:caption>
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      <image:title>Projects - I Lost Count, 2022, Marsha Borden</image:title>
      <image:caption>Installed on a 43” x 43” x 8.5” square base, approximately 16” high , Mixed Media (paper)</image:caption>
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      <image:caption>Stitched Plastic Bag I, 2018, Marsha Borden 11 × 16, single use plastic bag, thread</image:caption>
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      <image:title>Projects - October 2024</image:title>
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      <image:caption>Alexandrium Catenella, Marsha Borden, 2023 33” x 38”, yarn</image:caption>
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  <url>
    <loc>https://marshaborden.com/new-cover-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2024-10-05</lastmod>
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  <url>
    <loc>https://marshaborden.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/1630603398325-523OOZBHG1T31M5ISEHL/IMG_0779.JPG</image:loc>
      <image:title>About</image:title>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://marshaborden.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ab03f88f2e6b1d58de0f8ed/e8a0c138-a171-4498-b5ea-cc4a97d84f18/In+the+Palm+of+My+Hand_2.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>“Marsha Borden's piece plays with ideas of palmistry, transporting the traditional messages of longevity and wisdom into a more modern, earthy context.” Brian Slattery, Arts and Culture Editor, New Haven Independent February 12, 2026 Click HERE to read the full article. The Institute Library Gallery Upstairs, New Haven, Connecticut Curated Show “Forecast: Reading the Signs”</image:caption>
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      <image:title>Press</image:title>
      <image:caption>“Marsha Borden’s works address bodily autonomy and what gets in the way for one to be in control of their own person. Traveling through different moments in a woman’s life, she brings forth and discusses the objectification of women. Borden finds this tendency in varied states and stages from motherhood to even after children have left, seemingly exposing that even in the roles most basic there are expectations, rules, and labels that do not always fit.” Melanie Prapopoulos, Gallery Director, The CAMP Gallery, North Miami, Florida October - December 2025</image:caption>
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      <image:caption>“Some of the collections in the show point out that, even outside of museums and libraries, a person’s private collection can be preserving culture, whether it’s popular art from a generation ago or technology that has become outdated. Marsha Borden’s irons are less practical than modern irons in every way — for starters, how, in a modern home, would we heat them up? — but they’re also a testament to the way household objects used to be made better. The irons in Borden’s collection would work as well as they did when they were made, decades ago. Can we say the same of the iron we bought at Walmart last week? Brian Slattery, Arts and Culture Editor, New Haven Independent August 8, 2025 Click HERE to read the full article. Precious: Gathering What We Love: Curiosities, Cabinets, Connoisseurship &amp; Collecting, The Institute Library, New Haven, Connecticut</image:caption>
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      <image:title>Press</image:title>
      <image:caption>“Marsha, your work looks so fantastic! Tremendous presence and gorgeous, tactile detail. Thank you for sharing this with the community.” Maureen Belden, Executive Director Guilford Art Center August 2025 Into the Deep: Worlds Within - Solo Exhibition at The Gallery, Guilford Art Center</image:caption>
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      <image:title>Press</image:title>
      <image:caption>“…Nothing but positive reviews. The audience really enjoys the mix of textures in your pieces (especially the hanging vines!). Thank you for being one of our featured artists. Your work has brought a great deal of joy to the over 10,000 visitors we've welcomed into the gallery this summer. ” Samantha Aguilar Director of Exhibitions &amp; Programs Pearl Fincher Museum of Fine Arts June 2025 Art Unleashed: Creativity You Can Feel Pearl Fincher Museum of Fine Arts, Spring, Texas</image:caption>
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      <image:title>Press</image:title>
      <image:caption>“Marsha Borden’s hanging piece, meanwhile, is made of hundreds of single-use plastic bags, “a tiny portion of the estimated one trillion plastic bags used and discarded worldwide annually,” she writes. She emphasizes just how ubiquitous it is: “We eat, drink, and breathe much of the plastic we have collectively ‘thrown away.’ Plastic is in our bodies. It is literally raining down on us, every day.” So why not also touch it in an art show?” Brian Slattery, Arts and Culture Editor, New Haven Independent November 12, 2024 Click here to read the full article in the Independent. Click here to read about this show in Daily Nutmeg. ‘To the Touch’ 12-person Multi-Sensory Exhibit Ely Center of Contemporary Art, New Haven, Connecticut</image:caption>
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      <image:caption>“Such a beautiful and powerful art piece.” Nancy Mendez, Teaching Artist-in-Residence October 11, 2024 No Bodies: Clothing as Disruptor, curated by Alva Greenberg Hudson River Valley Museum, Yonkers, New York</image:caption>
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      <image:title>Press</image:title>
      <image:caption>“This one stands on its own.” Alexa MacCrady, Juror September 18, 2024 Soiled Linen, Hand Embroidery on Linen, 14”x40” Guilford Art League’s 76th Annual Juried Show Guilford Art Center, Guilford, Connecticut</image:caption>
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      <image:title>Press</image:title>
      <image:caption>“Central to Marsha Borden’s work is the duality of modern mass production….by manipulating plastic shopping bags with stitch and embroidery, she treats them as precious objects to be cherished, emphasizing the hypocrisy of single-use objects’ durability and cheaply manufactured textiles’ low quality.” Lisa Lynch, Curator and Widener Gallery Director Austin Arts Center, Trinity College, Hartford, CT</image:caption>
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      <image:caption>“I am so excited Marsha is sharing this collection with us here at Kellogg.  I hope others take the time to come and see her imaginative work and skill at weaving and sculpting with a variety of materials…fascinating to see and very informative, too." Susan Quincy State Parks, Education Outreach Kellogg Estate June 2024 A very special solo exhibit, The Tides They Are a-Changin’, on display now through June 14, 2004. Department of Energy and Environmental Protection (DEEP) Kellogg Environmental Center, Derby, Connecticut Click here for Press Release.</image:caption>
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      <image:caption>“Thank you for this tender work. Beautiful work and words.” Kendra, Visitor February 25, 2024 Real Art Ways, Hartford, Connecticut ”No Bodies: Clothing as Disruptor,” Curated by Alva Greenberg</image:caption>
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      <image:caption>“Borden’s lush, deeply patterned works invite us to contemplate the powerful impact of HAB’s (Harmful Algal Blooms) on our coastal environment.” “…visually exciting, thought provoking and very well attended by the public and the UConn community.” Press, Alexey von Schlippe Gallery of Art December 2023 University of Connecticut, Avery Point Waterbodies: Works by Marsha Borden, sTo Len,and Etty Yaniv</image:caption>
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      <image:caption>“…the art out of plastic is stunning in its condemnation of us all in what we are doing to Mother Earth. Thank you for this powerful exhibit.” E. Epperson November 2023 Marie Louise Trichet Art Gallery at Wisdom House, Litchfield, Connecticut Three Person Show, By Water, Air &amp; Fire: Artists Explore Environmental Issues</image:caption>
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      <image:caption>“…the..pieces in the show, taken together, remind us that oases are physical places, creating space for relaxation and reflection — but they only work if people are able to create the same space in their minds, for themselves.” Brian Slattery, Arts and Culture Editor, New Haven Independent June 13, 2023 Click HERE to read the full article. Oasis, Group Exhibition at The Institute Library, New Haven, Connecticut</image:caption>
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      <image:caption>“Trash becomes art at Recycle 2023 exhibit in Brooklyn.” Fox 5 New York - NYC May 12, 2023 Click HERE to watch the news story. Brooklyn Waterfront Arts Coalition, Brooklyn, NYC Juried show “Recycle 2023” SOLD</image:caption>
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      <image:caption>“The submissions we received this year were very strong…congratulations on the funding of your proposal!” Syma A. Ebbins, Research Coordinator, CT Sea Grant July 6 and September 13, 2022 Winner, 2022 Connecticut Sea Grant Arts Support Awards Program</image:caption>
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      <image:caption>“Guilford fiber artist Marsha Borden is…translating microalgae occurring in Long Island Sound into works of art.” Pam Johnson, Senior Staff Writer, Guilford Courier, Guilford, Connecticut September 2022 Click HERE to read the full article.</image:caption>
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      <image:caption>“…artist Marsha Borden has piled nipple-less breast pads, such that the soft, rounded discs look like they’ve been torn from a bra and discarded on the side of some strange road…It’s not just the objects that work, but the way they take up space, creating an alternate narrative through the very fact of their existence.” Lucy Gellman, Editor, The Arts Paper, Arts Council of Greater New Haven September 5, 2022 Click HERE to read the full article. Decoys and Mimics, Group Exhibition at The Institute Library, New Haven, Connecticut</image:caption>
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      <image:caption>“…(her) work is very strong and compelling.” Ely Center of Contemporary Art, New Haven, Connecticut February 2022 Open Call 2022 - 2023</image:caption>
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      <image:caption>“A few works emphasize the “Our” in the exhibition’s title [Our DNA]—the characteristics we share. Marsha Borden’s companion pieces WE (Cut From the Same Cloth) I and II are literally so—patchwork pieces labeled “Us” and “Them” stitched together into a doll and a ball. The titles emphasize our similarities, while the pieces ironically point to an impulse to differentiate and divide that is sewn into us.” Kathy Leonard Cezpiel, Associate Editor, The Daily Nutmeg July 8, 2021 Click HERE to read the full article. Kehler Liddell Gallery, New Haven, Connecticut Juried Show “Our DNA”</image:caption>
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      <image:caption>“…Borden’s [work] calls out to a viewer, pulling them in as it hangs on the wall…{she] has embroidered a small ocean of self-doubt. If they are her personal tattoos, they are also deeply relatable; Borden taps into the history of domestic craft to give viewers a piece that can at once be a mirror and a challenge to keep making despite that inner critic.” Lucy Gellman, Editor, The Arts Paper, Arts Council of Greater New Haven August 12, 2020 Click HERE to read the full article. “Marsha Borden, meanwhile, lets her art playfully express the anxieties so many artists feel. Written on the fabric of her piece are a series of questions many artists can surely relate to: “Is it really art? I am faking it,” one sleeve reads. Down the chest are three increasingly uncomfortable questions: “What if they laugh at my work? If they think I don’t know what I’m doing? What if I don’t know what I’m doing?” Borden ponders these thoughts and still produces art; after all her queries, the existence of the piece is perhaps the answer.” Brian Slattery, New Haven Independent August 6, 2020 Click here to read full article. Kehler Liddell Gallery, New Haven, Connecticut Juried Show “I AM…”</image:caption>
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      <image:caption>“…Borden’s installation is provocative and off-putting at the same time.” Joy Pepe, Professor of Art History and University of Hartford May 1, 2020 Ely Center of Contemporary Art, New Haven, Connecticut Juried Show “Witchy”</image:caption>
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      <image:caption>“The marriage of media and message is…evident in the work of Marsha Borden, whose material of choice is the plastic bag. In her Plastic Planet series, the horizontal weave of a single color—blue newspaper sleeves, yellow or gray shopping bags—creates a flaglike field, in each case punctuated by a single emblem, a lopsided earth made of tightly braided bags. The message is undeniable: We are a society made of, even patriotic about, plastic.” Kathy Leonard Czepiel, Associate Editor, The Daily Nutmeg, March 3, 2020 Click HERE to read the full article. Perspectives Gallery at Whitney Center, Hamden, Connecticut, 5 Person Show “Harmonious Discord”</image:caption>
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      <image:caption>“…textile artist Marsha Borden stuns with her disarmingly simple [work]; visceral…deeply empathetic…thought provoking.” Lucy Gellman, Editor, The Arts Paper, Arts Council of Greater New Haven October 4, 2019 Click HERE to read the full article. Hilles Gallery, Creative Arts Workshop, New Haven, Connecticut “Sanctuary Cities and the Politics of the American Dream”</image:caption>
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      <image:caption>“…Borden has worked with materials from Barbie apparel to aged quilts, along the way defining the humanity that has been sewn into each stitch.” Maxim Schmidt, Gallery Coordinator, Ely Center of Contemporary Art August 2019 2019 Artist-in-Residence Ely Center of Contemporary Art, New Haven, Connecticut</image:caption>
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      <image:caption>“Connecticut is implementing a plastic bag ban, but not before artist Marsha Borden could transform what we might otherwise throw away into an intentional meditation on waste. Her exhibit in the Ives Gallery, Remixed: A Kaleidoscope of Plastic, featured creative re-uses of the ubiquitous plastic bags: strung like beads, shaped into recognizable objects, and woven like yarn.” 2019 New Haven Free Public Library Annual Report Solo Show at Main Branch, New Haven Free Public Library, New Haven, Connecticut</image:caption>
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      <image:caption>“Lost at Sea…depicts the world floating in an array of blue, suggesting that the amount of plastic on earth has surpassed even the planet itself.” Karen Marks, Reporter, The Arts Paper, Arts Council of Greater New Haven July 20, 2018 Click HERE to read the article. Kehler Liddell Gallery, New Haven, Connecticut Juried Show “Home”</image:caption>
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      <image:caption>“Artist Marsha Borden examines, with equal parts playfulness and pensiveness, the strange dynamic in the way we casually acquire and dispose of single-use plastic bags in our day-to-day lives.” Brian Slattery, Arts and Culture Editor, New Haven Independent July 16, 2018 Click HERE to read the full article. Solo Show “Remixed: A Kaleidoscope of Plastic” at Main Branch New Haven Free Public Library, New Haven, Connecticut</image:caption>
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      <image:caption>“(Your) work caught our attention, both mine and our arts editor Richard Malinksy’s. It’s innovative and thoughtful (and colorful! Quite fun).” Sandra Tyler, Editor-in-Chief, The Woven Tale Press September 2018 Wearable Art, 20th Annual ArtWalk Festival, Westville, Connecticut</image:caption>
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      <image:caption>“(Her) work is excellent – immediate, poignant, well-thought out.” Mark Krueger, X.po.zur Gallery January 2017 Kehler Liddell Gallery, New Haven, Connecticut “Inaguration Nation ART”</image:caption>
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